Images tagged "talk"

wall hanging made from hand made felt embellished with embroidery by Janet Vance

two vessels made from felt and embellished by Janet Vance

$\"December\" hanging by Sue Boardman$ $\"November\" cushion by Sue Boardman$ $\"All The Gold I Ever Need Is Here\" by Sue Boardman$

hand embroidered scissor holders by Sue Sercombe

3D embroidered scarab beetles by Sue Sercombe

organza scarf machine embroidered and altered with soldering iron by Sue Sercombe

Sue Boardman and her cap inspired by Birkenhead Park

$\"Spice\" bag by Sue Boardman$

Janet Vance talking about her embroidery

table lamp made from machine embroidered Lutrador by Janet Vance

experimental sample of faux chenille made from painted newspaper layered with organga by Janet Vance

Sue Sercombe talking about her embroideries

Sue Sercombe made this wedding dress for her daughter

detail of the wedding dress showing embroidery and embellishment on the cuffs, embroidery by Sue Sercombe

photograph of the wedding dress, made by Sue Sercombe, on the Big Day

hand dyed jacket made for City & Guilds portfolio by Sue Sercombe

detail of beadwork on the bodice of the wedding dress. Dress made by Sue Sercombe

$Joan Wilson tries on Sue Sercombe\'s jacket$

Joan modelling the jacket which was cut as a circle. Jacket made by Sue Sercombe

3D embroidered dragonfly by Sue Sercombe

there is a buzz about the Hall as we wait for the Workshop to begin

Sarah is pouring tea right now- but later will be modelling kimono

the group are having an enjoyable time making Japanese Kanzashi flower brooches

Japanese hair ornament brought to us by Katie Chaplin

Japanese hair ornament made using Kanzashi flowers in the design

some flower brooches which have been glued to the background felt. They must dry before they can be completed

Katie Chaplin supplied us with wonderful Japanese fabrics

another busy table with brooches nearing completion

small fabric petals are folded and added to a felt background

Katie Chaplin shows us a Haori jacket made in 1929

detail of embroidery on a wedding kimono

this is the type of footwear the Japanese kimono wearer would have

this is one of the under layers before the kimono is finally put on

Katie is adjusting the under garment to fit inside the kimono sleeves

the kimono is draped over a belt to adjust the length and a stiff belt is put on to prevent the Obi creasing

$she will use a \"Happy Sparrow\" fastening at the back. This has not yet been completed$

these fine cloths are decorated with a Japanese tie dye technique

$a view of the \"Happy Sparrow\" fastening of the Obi$

the Japanese lady is not complete without her fan, which is used only in a ceremonial fashion

Sarah is quite pleased to have her fan, Wearing a kimono is hot work

back view of Sarah wearing the completed outfit

Sarah is wearing a traditional kimono which would be worn on a special occasion

this kimono has hanging sleeves as it is for a special occasion

this is an expensive overgarment , worn over the kimono, used at a wedding

this garment is designed to have a train

back view of Sarah wearing the embrioidered over garment with a train. The train is padded at the bottom

this is Katie Chaplin demonstrating the Japanese tea ceremony

$One of Sue Sercombe\'s antique sewing machines$ $One of Sue Sercombe\'s antique sewing machines$ $One of Sue Sercombe\'s antique sewing machines$ $One of Sue Sercombe\'s antique sewing machines$ $One of Sue Sercombe\'s antique sewing machines$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$

Sue Sercombe telling us the history of antique sewing machines

a sewing machine invented by Thomas Saint in 1790

$one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$

the shape of this sewing machine was widely copied by other firms

an English and a German firm copy the shape of the Singer sewing machine

$one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$ $one of Sue Sercombe\'s slides$

sewing machine made in a German prison camp during World War 2

example of Level 3 City & Guilds embroidery work

Norma Heron describes her work at Parbold EG

Norma Heron is talking about her work at Parbold EG

Karen Scott describing her work at Parbold EG

Marie Stacey is talking about her work at Parbold EG

cushion cover by Norma Heron, machine embroidery, design based on red rocks of Petra

machine embroidered sample by Norma Heron

WATER quilt with slashing by Norma Heron

RESSURECTION, pieced and machine embroidered panel by Norma Heron

Vicky Williams POPPIES embroidery packed & ready for our exhibition

Jean Critchley's entry to 2014 NW Regional Day. Design based on tribal headdresses

detail of Jean Critchley's entry to 2014 NW Regional Day. Design based on tribal headdresses

machine embroidered sample by Alice Colson

sample of machine embroidery with threads cut to expose shapes by Alice Colson

sample of machine embroidery by Alice Colson

a collection of machine embroidery samples by Alice Colson

a new selection of postcard embroideries on the theme of GROWTH

one of Alice Colson's slides showing Kay's Practical Embroiderer

plastic bag containing some examples of Kay's Practical Embroiderer

detail of embroidery from 1950's made using Kay's Practical Embroiderer

sample made by Alice Colson using Kay's Practical Embroiderer

Alice Colson talking about her work influenced by Kay's Practical Embroiderer

slide by Alice Colson showing a quilt by Bill Volckening

slide by Alice Colson showing Kay's Practical Embroiderer featured in 1939 "Needlewoman" magazine

slide by Alice Colson showing an advertisement for Kay's Practical Embroiderer

slide by Alice Colson showing example of her machine embroidery

slide showing Alice Colson's Degree work based on 1950's bathing hats

slide by Alice Colson showing embroidery influenced by Kay's Practical Embroiderer

sample of machine embroidery with cut stitches by Alice Colson

back of machine embroidery sample by Alice Colson

slide showing collection of objects used for inspiration by Alice Colson

slide showing machine embroidery by Alice Colson

machine embroidered edging by Alice Colson

detail of machine embroidered edging by Alice Colson

slide by Alice Colson showing 12 needle sewing machine

samples of edgings made by Alice Colson using 12 needle sewing machine

cut edging by Alice Colson made using 12 needle sewing machine

edging made by Alice Colson using 12 needle sewing machine

work made by Alice Colson early in her career

slide showing fashion designs which have influenced Alice Colson

slide by Alice Colson showing machine embroidery with cut stitches

slide showing Alice Colson's embroidery used on a cuff

This is Snorri's Viking journey in stitch, embroidered by his wife on fabric woven on a Viking loom

this is a small Viking loom-they were usually much wider

clothes that a rich Viking woman might wear

Snorri the Viking entered wearing chainmail and helmet and carrying a shield

these are handmade shoes in a style a Viking might have worn

Snorri the Viking is wearing a spectacle helmet made of iron

we know Snorri the Viking is rich because his clothes are dyed with woad, an expensive dye

the Viking wife would wear jewellery to show how wealthy her husband is

the silver jewellery Snorri the Viking wears is his wealth and can be exchanged for goods

Snorri the Viking is demonstrating how the wool would be combed before spinning

this is a scarf which was made by shearing, dyeing, spinning and weaving. It took three years to make.

a leather Viking helmet which was hand sewn by Snorri the Viking

the 'chief wife' would carry the keys to depict her position in the family

some samples of Japanese fabrics at Katie Chaplin's Japanese Day 2014

small purse made with "meibutsu" famous woven silk cloth of Arimatsu, Narumi, Japan

Katie Chaplin slide showing detail of woven Japanese silk fabric

Katie Chaplin slide showing a Japanese weaver hand weaving silk fabfic

detail of Katie Chaplin slide showing a Japanese weaver hand weaving silk fabfic

Katie Chaplin slide showing machine weaving silk fabric in Japan

woven silk obi at Katie Chaplin Japanese Day Talk

close up of woven silk obi - Katie Chaplin Talk

Katie Chaplin showing us woven silk Japanese fabric

woven silk japanese fabric - Katie Chaplin Talk

Katie Chaplin slide showing apprentice geishas wearing kimono at a Tea Ceremony

Katie Chaplin slide showing dyed silks ready for weaving

Katie Chaplin screen printing a "meisen" design which is printed only on warp threads

Japanese textile which has been dyed by "meisen" method shown by Katie Chaplin

Katie Chaplin showing us fabric that she screen printed only on warp threads

detail of Japanese shibori fabric - Katie Chaplin Talk

Sarah Lowes modelling a kimono assisted by Katie Chaplin

Katie Chaplin modelling a "meisen" design kimono

Sarah Lowes modelling a kimono at Japanese Day 2014

this is a metal stencil used to mark the dots for shibori

shibori dots marked by charcoal. Each dot will be hand tied before fabric is dyed

Katie Chaplin slide showing all the dots tied ready for shibori dyeing. Tying the dots might take up to a year

Katei Chaplin showing us a Japanese shibori textile

Japanese shibori textile - Katie Chaplin Talk

"yuzen" textile, stentilled by hand or brush painted with subtle graduations

Katie Chaplin with "yuzen" textile, hand painted or brush painted with subtle graduations

Katie Chaplin modelling a short kimono at Japanese Day 2014

"yuzen" textile, hand painted or brush painted with subtle graduations

Katie Chaplin slide showing painting "yuzen" design

Japanese textile from Katie Chaplin's collection

Helen Patrick modelling a kimono with Katie Chaplin at Japanese Day 2014

Japanese textile screen printed by Katie Chaplin only on warp threads

embroidery, inspired by Australia, by Jan Beaney

embroidery , inspired by carpet patterns, by Jean Littlejohn

embroidery, based on fossils, by Jean Littlejohn

embroidery, based on "whats under your feet", by Jean Littlejohn

embroidery, based on farmland, by Jan Beaney

embroidery, based on hedgerows, by Jan Beaney

detail of hedgerow embroidery by Jan Beaney

embroidery, based on farmland and hedgerows, by Jan Beaney

embroidery, based on an old house renovation, by Jean Littlejohn

embroidery, based on an old carpet, by Jean Littlejohn

small embroideries, based on renovation of an old house, by Jean Littlejohn

ON REFLECTION, embroidery by Jean Littlejohn

SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED, SOMETHING BLUE by Jean Littlejohn

TALACRE BEACH TRIPTYCH by Moya McCarthy, machine embroidery on dissolvable fabric

embroidery by Moya McCarthy, scraps of fabric with stitching

crochet wire necklace by Moya McCarthy, based on Egyptian influences

embroidery by Moya McCarthy, Tyvek heat treated with machine stitching

embroidery by Moya McCarthy, mixed media and stitch

rust embroidered 3D vessel by Moya McCarthy

embroidery by Moya McCarthy, a tribute to her mother and aunts who were her first inspiration in

recycled lace cushion by Moya McCarthy, from her 'Neutral Phase'

large pebble by Moya McCarthy, felt covered and hand embroidered

Rhyl Town Crest embroidered by Moya McCarthy and members of Rhyl EG

slide showing VALDEMOSA by Moya McCarthy, machine embroidery

ETTA by Moya McCarthy, C&G Diploma L3 Metalwork Project, knitted wire

slide showing Moya McCarthy inspiration for embroidery in her 'Rust Phase'

knitted wire with rusted effect displayed by Moya McCarthy

panel by Moya McCarthy made for an Embroidery Challenge, using limited materials

slide showing cyanotype images by Moya McCarthy

Moya McCarthy is talking about a vase made from coke can base

Moya McCarthy displaying SEED PODS made from rusted wire with hand stitching

machine embroidered portrait by Moya McCarthy

RUBY REFLECTIONS by Moya McCarthy made for Rhyl EG 40th Anniversry

detail of RUBY REFLECTIONS by Moya McCarthy made for Rhyl EG 40th Anniversry

Wardrobe Mistress Jill Breckon from Hand in Hand theatre group at MEG "Bring & Stitch" morning

NINE ELEVEN by Marie Stacey, machine embroidery and collage

sewing machine magnifying glass, essential for embroiderer with sight problems

slide showing embroidered cards by Marie Stacey

article in Workbox magazine written by Marie Stacey

Welsh dragon embroidered by Marie Stacey

OUT OF HIS DEPTH IN THE RIVER TEIFE by Marie Stacey, machine embroidery with painted detail

needlefelted panel by a member of Wirral Society of the Blind and Partially Sighted

tablet case needlefelted by a member of Wirral Society of the Blind and Partially Sighted

HEN TEA COSY by a member of Wirral Society of the Blind and Partially Sighted

Marie Stacey speaking about "Stitching Wider Horizons - embroidery with sight problems"

slide showing patchwork cushion by Marie Stacey

slide showing THE BURREN, a work in progress by Marie Stacey

slide showing goldwork picture by Marie Stacey

slide showing an embroidery by Marie Stacey

slide showing Marie Stacey, who has sight problems

slide showing (detail) OUT OF HIS DEPTH IN THE RIVER TEIFE by Marie Stacey, machine embroidery with painted detail

slide showing SHAKESPEARE'S BAG LADY by Marie Stacey, machine embroidery

Terri Holmes from Wirral Society of the Blind and Partially Sighted speaking to Merseyside Embroiderers Guild members

slide showing a member of Wirral Society of the Blind and Partially Sighted needlefelting

slide showing felt brooches made by members of Wirral Society of the Blind and Partially Sighted

samples of work by Sandra Kedzlie for "Blue Threads" exhibition

samples of knitting designs by Kay Kelloway

wire with embroidery by Deborah McLennon-Riches

applique embroidery by Deborah McLennon-Riches

applique and machine embroidery by Deborah McLennon-Riches

embroidery sample by Deborah McLennon-Riches

Phillipa Turnbull's slide showing Lady Anne's father, who was given an embroidered glove by Queen Elizabeth and wore it on his hat

Ladies from 16th century with their embroidery

slide showing reproduction of an old embroidery by Phillipa Turnbull

Phillipa Turnbull's slide showing a man's embroidered hat

phillipa Turnbull's slide showing antique embroidery

Phillipa Turnbull's slide showing an antique silver embroidery with spangles

slide showing redwork embroidery by Phillipa Turnbull

Phillipa Turnbull's slide showing antique embroidery designs

Phillipa Turnbull's slide showing embroidered bands. Each one is different

slide showing embroidery by Phillipa Turnbull

Phillipa Turnbull showing us an original embroidery and its reproduction

large embroidered panel by Phillipa Turnbull

embroidered reproduction of a redwork altar cloth by Phillipa Turnbull

detail of embroidered reproduction of a redwork altar cloth by Phillipa Turnbull

detail of antique embroidered panel belonging to Phillipa Turnbull

Diana Shone from Altrincham EG speaking at MEG, Sept 2015

printed scarf by Diana Shone, Altrincham EG

embroidery by Diana Shone, Altrincham EG

dyed and printed scarf by Diana Shone, Altrincham EG

butterfly wing purse by Diana Shone, Altrincham EG

embroidered purse by Diana Shone, Altrincham EG

detail of embroidery by Diana Shone, Altrincham EG

Sandra McFarlane from Altrincham EG speaking at MEG, Sept 2015

embroidery by Beryl Waterfield, Altrincham EG

embroidered box by Beryl Waterfield, Altrincham EG

embroidered fans by Beryl Waterfield, Altrincham EG

Beryl Waterfield from Altrincham EG speaking at MEG, Sept 2015

unfinished embroidery by Beryl Waterfield, Altrincham EG

Japanese embroidery by Sandra McFarlane, Altrincham EG

goldwork embroidery by Beryl Waterfield, Altrincham EG

detail of Japanese embroidery by Sandra McFarlane, Altrincham EG

TALK by David & Sue Richardson "The Art of Qaraqaipaq Embroidery"

slide showing elaborately decorated yurt used by the Qaraqalpaq people of Uzebekistan

Qaraqalpaq people purchased Russian chintz to line their embroidered headdresses

slide showing detail of embroidered clothing by Qaraqalpaq people

slide showing embroidered detached sleeves by Qaraqalpaq people

slide showing elabotate embroidered headdress by Qaraqalpaq people

one of the Qaraqalpaq women wearing traditional embroidered clothing

TALK by David & Sue Richardson "The Art of Qaraqaipaq Embroidery" Embroidered items for sale

antique embroidered Qaraqalpaq head covering displayed by Sue Richardson

antique Qaraqalpaq embroidered head covering

antique embroidered bag by Qaraqalpaq people

detail of embroidered coat by Qaraqalpaq people

Sue Richardson is wearing a padded embroidered coat made by Qaraqalpaq people. The sleeves are designed to be over long

detail of a padded embroidered coat made by Qaraqalpaq people.

head covering by Qaraqalpaq people displayed by David & Sue Richardson

head covering by Qaraqalpaq people displayed by Sue Richardson

detail of embroidery by Qaraqalpaq people

Sue Richardson is showing us the pieced lining of an embroidery. Every scrap of fabric was put to use

embroidered head covering by Qaraqalpaq people

barkcloth embroideries by Bobby Britnall

barkcloth samples and embroideries at Bobby Britnall Talk, January 2016

Margaret Gold, one of Merseyside E.G.'s longstanding members, and Beryl Webster, our newest member, cut the 60th Anniversary cake

barkcloth embroideries bty Bobby Britnall

Bobby Britnall at Merseyside E.G. , January 2016

Bobby Britnall's slide showing Morris dancers, an influence on her work

slide by Bobby Britnall showing a quilt with a musical influence

slide from Bobby Britnall of a quilt influenced by Morris dancers

slide by Bobby Britnall showing a quit influenced by tailoring

slide by Bobby Britnall showing a felt structure

slide by Bobby Britnall showing a Ugandan woman making a broom

slide by Bobby Britnall showing a Ugandan woman holding a completed broom

slide by Bobby Britnall showing Ugandan women involved with Hands Up For Uganda charity

slide by Bobby Britnall showing bark being removed from a matuba tree

slide by Bobby Britnall showing barkcloth being made

this is a mallet used by Ugandan workers to hammer the bark of the matuba tree to make barkcloth

a mallet wrapped in banana leaves used to hammer the bark of the matuba tree to make barkcloth

slide by Bobby Britnall showing a small Ugandan house. The colour influenced Bobby Britnall's recent work with barkcloth

slide by Bobby Britnall barkcloth embroidery

slide by Bobby Britnall showing images which influenced her work

slide by Bobby Britnall showing barkcloth embroidery

slide by Bobby Britnall showing barkcloth embroidery in reverse applique

slide by Bobby Britnall showing cat walk fashion featuring barkcloth

slide by Bobby Britnall showing cat walk fashion in barkcloth

slide by Bobby Britnall showing strips of barkcloth sewn together

Bobby Britnall with barkcloth lampshades

Bobby Britnall with barkcloth embroidery at Merseyside E.G.

ELEPHANT by Jean Mather, a square for the latest Sreepur quilt

a quilt by our newest member Maggie Pearson

handkerchiel square for NW Region tablecloth by Michele King

Congratulations to Margaret Gold on her 90th birthday at Bee Weir workshop 20.01.18

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